CONTEXT ART MIAMI REVISTED: Exclusive Collector's Viewing Room

From Los Angeles, Chance Cooper is known his "Crowd" concept. Exploring different scenes of togetherness, Chance Cooper's "Crowd" concept forges connections between the individual and the collective. Through a unique artistic style in which Cooper minimizes figural forms to simple black outlines, Chance Cooper singles out a main cast by coloring them in a vibrant color palate.

Each thematic painting by Cooper yields relatability that viewers may attach themselves to. From sporting events to carnivals, fashion shows to movie sets, first days at the office to heated chaos of a restaurant kitchen— there is a commentary waiting to unfold.

His work celebrates the sacred art of storytelling and each recurring visit to a piece suggests a new conversation. With the appearance of a fictional fantasy and personality inspired by real subjects, the skin of Chance's work is just a layer of what humans do so well of disguising - themselves.

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Ken Kelleher, also known as Anchorball, is an American sculptor celebrated for his innovative approach to large-scale sculptures and digital art. A graduate of Alfred University, where he studied under renowned sculptors Glenn Zweygardt and William Parry, Kelleher refined his practice at Hudson Studio, Fine Art Foundry in Niverville, NY. 

With a global following of over half a million on Instagram, Kelleher’s work resonates with audiences worldwide. His art defies traditional boundaries, integrating digital techniques with classical sculpture to create forms and objects that transcend utilitarian function. His pieces, ranging from whimsical inflatables to monumental abstract works, challenge viewers to rethink the ordinary and embrace the imaginative.

Kelleher’s public installations span the globe, with works displayed in Buffalo and Alfred, NY, Doha, Qatar, China, and Indonesia. Kelleher’s art explores the intersections of creativity, humanity, and innovation. 

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Throughout her career spanning over three decades, Caroline Dechamby has used art and history as a source of appropriation through which to develop her own niche, and place of resonance for her audience, within the largely male-dominated canon of painting. Dechamby’s paintings re-asses masterpieces by household names — among them Pablo Picasso, Jean-Michel Basquiat, Piet Mondrian, as her own, painting herself (either full-bodied or as silhouette) into the pieces in the act of creation.

In doing so, Dechamby symbolically and visually takes back the field from “the boys” reimagining art history in her own vision, and allowing for viewers, especially female viewers, to envision themselves too in the empowered position of creative genius in place of the artist’s painted avatar. 

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